I am writing this as an addendum to the piece that GD Falksen wrote recently, about Native Americans and the Old West as they relate to steampunk.
Most people seem to think of the Old West as happening long before the Victorian era. While the heyday of the West might have been before Queen Victoria’s coming-into-power, that was not the end of the Old West, nor of Native American culture. The concept of the date of the decline of the Old West really is up for debate to be honest...the Removal Times were in the 1830's (Queen Victoria did not sit on the thrown until 1837...the same year that many of the tribes suffered Removal)...almost every tribe having had their own "Trail of Tears" in those years around then.
Many people also say that there is no connection to the Victorian era and Native Americans and the Old West. But, this is not true at all. The Victorian Era might be said by some to be relegated to Britain only, but steampunk is a world that is not relegated to Victorian Britain...just as there were technological advancements in England, steam, gas light, electricity and other technologies were also dawning in societies all over the globe. Steampunk (to me) is not about Victorian England, but the what if? of how a society might have looked if it had our devices built with their understanding and technology (steam, gas light, etc). While some people may desire to keep their own alternate history of the late mid 1800's - early 1900's in England, I feel that this thought process limits the colorful (and creative) possibilities in constructing an alternate reality. Point of note about why not to relegate steampunk to England (in my opinion)- Nikola Tesla is name renowned in the steampunk community...but he never lived in England...he was born in and studied in eastern block countries, and moved to America in the late 1800's. Relegating steampunk to Britain and the refusal of outside cultures might well remove Tesla's discoveries from steampunk. (but I digress).
On top of that, there is a direct link between Native Americans and England's fascination with them (with actual documented proof dating as far back as the 1600's...the story of Tisquantum [aka Squanto] comes to mind).
In the mid to late 1800’s (circa 1870’s), William Cody (who later came to be known as Buffalo Bill) started up a traveling show called Buffalo Bill’s Wild West Show. Largely, it was as much a misrepresentation of the “wild west” as any dime novel, and merely a capitalistic venture on his part- to exploit his own past experiences in the form of entertainment for those on the east coast who never had the chance (or desire) to actually go experience it for themselves, and who would soon lose any chance to experience it at all.
In 1886, he was presented with an opportunity, to travel with his Wild West Show to Europe. The show traveled all over Europe, starting in England and going as far East as Greece. While in Britain, Queen Victoria is known herself to have attended at least one show. To prove how much interest there was for all things Native American, this was the first public appearance of the queen since her husband died ¼ of a century earlier.
GD Falksen included a collection of photos of Natives in his post, I have added some more. In the second photo, you can see that as late as 1924 (the year of this photo), there are people still wearing their traditional tribal “pre contact” clothing. This gives you some more examples of how traditional clothing (and hair) was still worn, how European clothing was adopted, and how it was inter-mixed. I've included pics of tribal people from all over (Pacific NW, Canada, northeast, southeast, southwest, plains...couldn't find Aztec or Mayan photos from circa 1900)

I couldn't resist putting this in here...lol

photo taken in 1924

painting of Chief Joseph Brant - circa late 1700's (Mohawk)

Hopi woman

Mvskoke folks

Oglala man

Ojibwe men

Tlingit men
Note that in the photos with multiple people...not all of them wear traditional tribal clothing, nor have all of them opted to convert to European clothing styles.
Except for the painting of Chief Joseph and the photo mentioned with the date of 1924, all photos are credited in the late 1800's through early 1900's.
Most people seem to think of the Old West as happening long before the Victorian era. While the heyday of the West might have been before Queen Victoria’s coming-into-power, that was not the end of the Old West, nor of Native American culture. The concept of the date of the decline of the Old West really is up for debate to be honest...the Removal Times were in the 1830's (Queen Victoria did not sit on the thrown until 1837...the same year that many of the tribes suffered Removal)...almost every tribe having had their own "Trail of Tears" in those years around then.
Many people also say that there is no connection to the Victorian era and Native Americans and the Old West. But, this is not true at all. The Victorian Era might be said by some to be relegated to Britain only, but steampunk is a world that is not relegated to Victorian Britain...just as there were technological advancements in England, steam, gas light, electricity and other technologies were also dawning in societies all over the globe. Steampunk (to me) is not about Victorian England, but the what if? of how a society might have looked if it had our devices built with their understanding and technology (steam, gas light, etc). While some people may desire to keep their own alternate history of the late mid 1800's - early 1900's in England, I feel that this thought process limits the colorful (and creative) possibilities in constructing an alternate reality. Point of note about why not to relegate steampunk to England (in my opinion)- Nikola Tesla is name renowned in the steampunk community...but he never lived in England...he was born in and studied in eastern block countries, and moved to America in the late 1800's. Relegating steampunk to Britain and the refusal of outside cultures might well remove Tesla's discoveries from steampunk. (but I digress).
On top of that, there is a direct link between Native Americans and England's fascination with them (with actual documented proof dating as far back as the 1600's...the story of Tisquantum [aka Squanto] comes to mind).
In the mid to late 1800’s (circa 1870’s), William Cody (who later came to be known as Buffalo Bill) started up a traveling show called Buffalo Bill’s Wild West Show. Largely, it was as much a misrepresentation of the “wild west” as any dime novel, and merely a capitalistic venture on his part- to exploit his own past experiences in the form of entertainment for those on the east coast who never had the chance (or desire) to actually go experience it for themselves, and who would soon lose any chance to experience it at all.
In 1886, he was presented with an opportunity, to travel with his Wild West Show to Europe. The show traveled all over Europe, starting in England and going as far East as Greece. While in Britain, Queen Victoria is known herself to have attended at least one show. To prove how much interest there was for all things Native American, this was the first public appearance of the queen since her husband died ¼ of a century earlier.
GD Falksen included a collection of photos of Natives in his post, I have added some more. In the second photo, you can see that as late as 1924 (the year of this photo), there are people still wearing their traditional tribal “pre contact” clothing. This gives you some more examples of how traditional clothing (and hair) was still worn, how European clothing was adopted, and how it was inter-mixed. I've included pics of tribal people from all over (Pacific NW, Canada, northeast, southeast, southwest, plains...couldn't find Aztec or Mayan photos from circa 1900)
I couldn't resist putting this in here...lol
photo taken in 1924
painting of Chief Joseph Brant - circa late 1700's (Mohawk)
Hopi woman
Mvskoke folks
Oglala man
Ojibwe men
Tlingit men
Note that in the photos with multiple people...not all of them wear traditional tribal clothing, nor have all of them opted to convert to European clothing styles.
Except for the painting of Chief Joseph and the photo mentioned with the date of 1924, all photos are credited in the late 1800's through early 1900's.

Comments
As did "The Adventures of Brisco County, Jr." and "Legend"
Many Seminole are very dark in appearance, sometimes looking almost black. Seminole, up until a certain point (I've not seen a decisive date) were part of the Creek Nation. In fact, the word "seminole" means "runaway, renegade" in Creek.
And yes, they (as well as many tribes and nations, did marry and have children with blacks. One example is Mark, pictured in the Neo-Victorian Fashion Show advertisement a few entries before this one. He is the one on the right, in the brown smock. He is black and Seminole (maybe some other as well...but I forget at the moment)
Mainly I think of steampunk and NeoVictorian aesthetics as having broad range, mixing old and new, old with technological hints. Right now I am experimenting with the possibility of mixing Hawaiian fabrics into such designs, but we'll see where that winds up.
And you are quite correct: as I try to remind people, any nation or culture that existed in the 19th and early 20th centuries can conceivably be placed in a steampunk context. We refer to steampunk as "Victorian science-fiction" because it's quick and easy, and most people have some sense of when that was and what sort of technology was being used at the time. But when it comes down to it, something need not be based in England or indeed any part of Europe in order to be steampunk.
I wrote a response or two to that piece you wrote. But later thought about it and realized there were things I wanted to address that I have encountered, that I had not...so I wrote this piece.
Its premise hinges on two things: a consolidation of various aboriginal nations and an application of period technology.
(For example,treaties were recorded orally on wax cylinders as well as written contracts.
Telegraphs and drums were both used to keep communications open from Washington to Wyoming.)
Like A. Bertram Chandler's Kelly Country and Mark Twain's saga of the Conneticutt Yankee,this novel doesn't permit its changes in the timeline to make things too perfect for its characters.
A steampunk scenario could explore the ramifications of the "roads not taken" and how the use of cutting edge science and solidarity could take the various "savages" of the days of empire and insure their freedom and the preservation of their culture.
(Think of dirigibles staging evacuations before oppressors could attack with the intent to murder or enslave.)
Perhaps,the sight of a few steampunk Indians in tear dresses,ribbon shirts,banyans,turbans,jingle dresses,patchwork skirts and other such garments will help people see real individuals with distinct cultures rather than the ersatz "redskins" that populate costume shops and the ranks of team mascots.
http://www.cherokeeturbans.com/seqred.j
http://www.cherokeeturbans.com/dutch.jp
http://www.crazycrow.com/mm5/graphics/4
http://i636.photobucket.com/albums/u
http://i636.photobucket.com/albums/u
http://i636.photobucket.com/albums/u
http://i636.photobucket.com/albums/u
http://i636.photobucket.com/albums/u
http://i636.photobucket.com/albums/u
There's good precedent.
The turbans,banyan coats,bandolier bags,etc. could incorporate traditional motifs,inagery of one's own choosing and be worn as a representative of past cultures or today.
I'd been shown how to wrap one, as well as create one that doesn't need to be wrapped every time. I just need to tinker to remember how to do it, and get around to doing it.
mvto
True. Though for many people, particularly those in the former British Empire, it's also the most useful starting point with respect to setting Steampunk within its proper temporal and technological context. The cultural context, as you've made clear, is almost without bound or limitation.
The only limitation I can think of is that nomadic peoples who want to stay nomadic seem less likely to produce technology based on relatively immobile heavy industry, although that doesn't stop them being purchasers and users (and possibly designers) of it. Nor does it preclude them developing small and sophisticated things that can make the difference between successful and failed outcomes for whoever's got the need and the money to buy.
I guarantee you that they would have been using a Zippo right along with flint&steel if they had it...they would have been using coolers if they had them...they did incorporate the horse- which changed the Buffalo Hunt,...the gun changed EVERYTHING about how Natives and Europeans interacted (it wasn't until the Europeans and guns that they even began to think about actually killing someone).
So, I do not think of the nomadic tribes as having this limitation. Heck, what better way to exist than to not waste time inventing something...just follow the pathleaders and take what they find- Bang-- yu got the technology but you didn't have to waste your time or resources .
mvto
Removal of Native Americans over the centuries has changed the nature of the West quite a bit, though.
(I also love Brisco County, Jr. and Wild Wild West)